Films & Movies






"I'm happy enough doing what I do."
- from Happy Families
"You are in God's care and you must care for one another.
Seek the best in people, not the worst. We must stand or fall together."
- from Monsignor Renard



Despite being primarily a television actor, John Thaw made occasional appearances on the big screen as well. Two notable examples of this are Sir Richard Attenborough's "Cry Freedom" in 1987 (starring Denzel Washington) in the role South African prime minister Paul Kruger, which earned John a nomination as Best Actor in a supporting role by the British Academy Of Film & Television Arts, and Attenborough's 1992 film "Chaplin" in which he portrayed Fred Karno, the London impressario who gave Chaplin his first job in vaudville but went bankrupt in 1926 and died penniless. "My first introduction to Charlie," John remembered at the time, "was as a boy in the 1950s in my local Odeon on a Saturday morning. His black & white two-reelers would bring the house down". But after completing both the Morse and Kavanagh roles, he returned to the small screen, which he made his own, and where he found a wealth of dramatic material in which to work.



How did John resist the lure of working in Hollywood? In 2000, John had been offered a part of an "English baddie" alongside Arnold Schwarzenegger in an American feature film, but turned it down - because he preferred his starring roles on TV. In an interview in March, 2001, John explained that the bright lights of Tinseltown held little attraction to him. "I would sooner do leading parts on television than have 10 minutes - for 20 weeks work - in a Hollywood so-called blockbuster. The films I'm being offered are 10 or 20-minute slots and it's going to take three times as long as a film for television. I wonder, why do I need to do that? Why do 10 minutes in an Arnie movie when I could play Harry? I'm not bothered by that." (He was referring to the part of Harry Jenkins in "Buried Treasure" which turned out to be his final role.) Thaw added: "It was a film that was never made. I truthfully don't know why. They built the set and spent fortunes on it. It was a costume thing." But asked if he could remember much about the script, he laughed: "Nothing good." The actor instead took the part of a villain in a light-hearted musical departure as Captain Hook in a BBC Radio 3 version of Peter Pan, recorded at the Royal Festival Hall for later broadcast. "I've been practising with a pianist - and getting it wrong, forgetting when to breathe," he said. It wasn't his first singing role though: "I sang once on The Sweeney. We were supposed to be drunk on that occasion."





In spite of being kept busy with the ongoing Morse and Kavanagh Q.C. roles, John found a huge variety of work being offered him. Beginning in 1995, John starred in the televison miniseries "The Absence Of War," which was the final installament in a 3-part trilogy by David Hare on contemporary Britain. This installment dealt with the trials and tribulations of a Labour Party leader on the campaign trail, and the eventual downfall of Labour in a national election. John had originally performed the role in a stage version of the play in 1992. After "Absence Of War" John took on what he considered were two new exciting projects that were developed especially for him.





The first of these, "Out Of Blue" (1997), starred John as Harry Barnett, in a 2-hour thriller based on the bestselling novel by Robert Goddard. Harry Barnett, once married and successful, is now single, bankrupt and working as a caretaker at a villa on the Greek island of Rhodes. The villa is owned by his good friend, the powerful multi-millionaire and disgraced ex-government minister Alan Dysart. Through the generosity of his good friend, a few drinks and the beauty of Rhodes, Harry finds his life quite peaceful...until he has a fling with Heather Mallender. Suddenly, he is thrown into a stormy sea of blackmail, deceit and murder when, the next morning, Heather disappears and Harry is hauled in by the local police, suspected of her murder. Fortunately, the ever-connected Dysart gets his friend released, but he also has some curious news about Heather: she is the sister of Dysart's former personal assistant, who was found drowned in the sea near his home in Britain. Harry begins to feel like a pawn in a game he doesn't understand. He decides that his only recourse is to turn detective himself and uncover the truth. Just when it seems life can't get any worse -- it does. Uprooted from his peaceful life, Harry traces Heather back to London, chasing his innocence across a sea of political scandal, blackmail, and murder, as Harry unravels a conspiracy that may reach to the very highest corridors of power in the government itself. The terrifying climax leads Harry to a rediscovery of his own inner strength and courage, and ultimate vindication. Viewers cheered at the conclusion and like every project John was associated with, it became an instant ratings hit.








John next appeared in the much-acclaimed and very moving "Goodnight Mister Tom" (1998), based on the bestelling book by Michelle Magorian, in which he played Tom Oakley, a widower and recluse who had lost both his wife and son years before but takes on the care of a young 9-year old boy evacuated to the countryside from London, along with thousands of other children, to escape Hitler's bombs in the fall of 1940. In trying to make a home for the child, Oakley discovers that Willie has been the victim of severe child abuse, and decides to adopt the child as his own, in order to save him from the severe psychological damage caused by his natural mother. "It has something for everyone," said John of the story, "because in a way it's about everyone. We've all been children, we've all felt frightened, we've all felt unloved, and loved too, hopefully." This film won the National Television Award for best drama and John Thaw as best actor. To view an exclusive film clip from the movie, CLICK HERE.





John appeared in two dramas in 1999, both of which confirmed his brillance as an actor and his popularity with the public. The first of these, "The Plastic Man", cast John in the role of a plastic surgeon whose life isn't as perfect as it seems as he is forced to face two moral dilemmas in his life: the first over a patient and the second concerning his troubled marriage. John played plastic surgeon Joe MacConnell, whose son is in training to be a doctor but was involved with a crime, the victim of which was one of Thaw's patients. In this 2-part, four-hour series, MacConnell's marriage is suffering from neglect, his son can't bear to tell him he's dropping out of medical school and his job is extremely highly pressured, So what does he do? Have an affair with a colleague. Naturally this only adds fat to the fire. This drama comes from the producer of the acclaimed detective series Prime Suspect. John revelled in the role of a man facing the crisis of being torn between two women, explaining "This character has far more depth that I have been allowed to show in either Morse or Kavanagh." 12 million viewers agreed.



John rounded out 1999 with a two-part adaptation of the Gerald Seymour thriller "The Waiting Time". Playing Joshua Mantle, a solicitor's clerk, Thaw becomes involved in post-cold war intrigue in England and Germany that might uncover the shady past dealings between a high-ranking British member of Parliament and a former member of the East German secret police. The story begins when a female Army officer attempts to get revenge on a former East German Stasi officer who killed her boyfriend. During the years of the Cold War Dieter Krause was an important officer in the Stasi - East Germany's secret police. One night in 1988 he and his men captured a spy, Hans Becker, and they killed him. Ten years on and the wall has come down, the Stazi has gone but Krause has managed to keep himself popular and in a position of influence by providing the West with tit-bits of information on a Russian colleague Rykov, who is seen as a potential Russian leader with hard-line military policies. The Americans need the officer because he's buddies with the possible new President of Russia, and so the mighty forces of the British Secret Service (run by former Doctor Who - and now Orson Welles lookalike - Colin Baker) to thwart Thaw's efforts to get to the truth. While visiting a British Army base Krause is attacked by Corporal Tracey Barnes. She was one of the British military contingent in Germany back in 1988 and it turns out that she was present when Krause killed Becker. She has decided that it's time Krause should pay for the murder. Joshua Mantle, a former soldier who gets involved, travels to Germany to help Tracy. Krause and his former-Stasi men have something in common - they can't afford the murder to be made public so they set out to intimidate and silence the few witnesses from 1988. Meanwhile British Intelligence are watching with interest because this whole affair could bring down the Russian Rykov. What everyone agrees on is that Barnes and Mantle are expendible. John was intrigued by the role as something different from anything he had ever done, and the attraction of working during part of the shoot in Germany, even though he decribed it as the coldest-ever location of his entire acting career. Besides the challenge of staying warm while filming was the equally daunting task of learning to speak rudimentary German for some key scenes. He viewed the character as "a lonely, rather bored man whose life is given purpose and meaning by this adventure." For a look at a PDF promotional brochue on "The Waiting Time," CLICK HERE.








The year 2000 saw John return to the screen in one of his most popular post-Morse roles, "Monsignor Renard", a 4-part drama in which John played a French Catholic priest who, after a twenty year absence, returns to his homeland in 1940 just as the German occupying forces march in. John's character, Augustin Renard, finds his hometown a place of confusion, led by an ineffectual mayor and a populace divided over resisting the Germans or collaborating with them. Filmed entirely in France, it covers the first eight months of the German occupation and covers Renard's inner struggle between doing what he thinks is best for his people and giving them a cause to fight for. John is later angered when plans for four more Renard films, continuing through the end of the war, are cancelled as being "too costly." John has looked forward to Renard as being his next long-term character and briefly considers changing his contract over from Carlton TV to the BBC in protest but later relents. The film is a huge hit. John explains, "Naturally I was disappointed when I was told. A lot of work has gone into it and I think we should all be proud of it. It's a quality drama, but I'm a big boy and that's the way the business goes." John also takes this time to narrate a 3-part televison documentary series called "Britain At War In Colour", using rare archival films and photographs. He also made his last stage appearance in April, 2001, when he performed the dual roles of Mr. Darling & Captain Hook in the one-night live performance of "Peter Pan" at the Royal Festival Hall mentioned above.





May 2001 saw John appear in a new 6-part drama called "Glass." This told the story of a woman, Carol (played by Sarah Lancashire) who is torn between the affections of a working class older man (Thaw), who plays the owner of a window company by the name of Jim Proctor, and a 22-year old younger man, a charming opportunity-seeker and fortune-hunting Paul Duggan, played by Joseph McFadden. To complicate matters, Proctor faces loses his glass company company (and his girl) to his evil, scheming nephew (Duggan), and his attempts to win them back. For promotional material in PDF format and an episode description of "Glass" CLICK HERE. To hear a BBC2 Radio interview with John, CLICK HERE. The interview starts off with Sarah Lancashine discussing her role in "Glass", followed by John's views on Hollywood, Inspector Morse, The Sweeney, and even the BBC radio game show "Quiz". In May, 2001, John also won the prestigious Lew Grade Radio Times Audience Award and a fellowship at the British Academy of Film and Television. CLICK HERE to view John's winning the Radio Times Award and CLICK HERE to watch John's reaction to his old friend Tom Courteney announcing John's fellowship at the BAFTAS. (Both clips come to us courtesy of Morsemania ).







Sadly, John Thaw's last screen appearance was also perhaps one of his most emotional and sentimental, and served to prove the extradordinary range of this gifted actor. In November 2001, John portrayed widowed estate agent Harry Jenkins in the moving "Buried Treasure", who suddenly discovers that his estranged daughter has died and that he is the grandfather of a mixed-race child he never knew existed. Dominque Jackson stars as Jenkin's strong-willed granddaughter, a spirited child who proves more than a match for him. A trip to London in search of the child's father forces Harry to face up to a few home truths, and that things need to change if he is to play a part in his granddaughter's life. This was a role John especially wanted to play, and served as a fine coda to a remarkable and varied career that has been equalled by few other actors, television or otherwise. John also gets to sing the Beatles "All My Loving" to his grandaughter during the film, one of the few times in his career that he permitted himself to do so. (For a Granada-TV fact sheet on this program, click HERE.) John looked forward to a new year full of exciting, new roles that would further challenge him as an actor, but the discovery of an unexpected illness kept this from becoming a reality.



Next: Remorseful Day