The Sweeney




"Get your trousers on, you sod, you're nicked."
"We're the Sweeney, son, and we've haven't had any dinner yet, so unless you want a kickin'...."
"I am utterly and abjectly pissed off."
"I'll drink down to the label with you if you like"
"If you weren't who you are I'd kick your arse up to you shoulderblades."
"Look slag, I don't give a toss who you have in your bed."
"The word is you're a right evil bastard."
"Shut it!"
- from The Sweeney



On Tuesday, June 4th, 1974, the 90-minute police action drama "Regan" first aired and was an immediate ratings success, watched by more than 7 million viewers, a huge number in England in those days. Eager to capitalize on its success, Thames television quickly signed John to a TV-series based around the Regan character, "The Sweeney" (a name derived from cockney rhyming slang "Flying Squad/Sweeney Todd"). The first season premiered on February 1st, 1975, and featured Denis Waterman as Thaw's partner and Garfield Morgan as his superior, and was unlike anything ever to hit the British airwaves. (For a unique video clip of the opening credits, CLICK HERE. This is taken from Season 4, episode 11 "Hit & Miss" guest starring Morcambe & Wise, broadcast 11/23/78).


























"The Sweeney" was more action oriented than the Brits had been used to before, much more similar in style to "Kojak" or "The Streets Of San Francisco" which were airing in the US during that time. In each show Regan almost always went over the line or bent the rules in his efforts to put the criminal element behind bars, and each episode almost invariably ended in car chases or random gunplay. Continuing a decades-long love affair with the police force, the Brits ate it up. During the show's tenure it brought a whole new vocabulary of cockney/police slang into everyday use, and the styles set either by racy cars or Thaw's rumped raincoat and private flat that looked as if it had been decorated from a second-hand thrift shop. A number of familiar faces from British stage & screen guest starred at different times, among them Brian Blessed, John Clive, Denholm Elliott, Brian Glover, John Hurt and Roy Kinnear. In its first season the show did reasonably well in its Thursday night time slot, then dominated the airwaves for 2 more seaons on Monday nights, before returing to its Thursday slot for its fourth and final year. In all, the series ran for 53 hour-long episodes. (For a complete episode guide CLICK HERE.)





The series' final episode on December 28, 1978, garnered its highest ratings of 19 million viewers. But British fans could not get enough of their newly-found heroes on the small screen, as the Sweeney made the jump to the big screen in two feature films: "Sweeney!" (1977) which won John the Evening Standard Best Film Actor of the Year Award, and "Sweeney II" in 1978. It also spawned a series of cheap pulp paperback novels based on the show, and all sorts of licensed tie-ins. Following this hectic shooting schedule of sqealing tires and shootouts, John returned to the stage and appeared in a series of plays both in London and Toronto, Canada. He appeared opposite Diana Rigg in "Night And Day" (1976) and drew rave reviews for "Absurd Person Singular" (1976). Other appearances included "The Sensible Action Of Mr.Horst" (1976), "The Two Of Us" (1977) opposite wife Sheila Hancock, "Sgt. Musgrave's Dance" (1978), "Pygmalion" (1984), Arthur Miller's "All My Sons" in the part of Joe Keller (1985), "Stainheads" (1986), and as "Kieran Flynn" opposite Glenda Jackson in "Business As Usual" (1988). For a rare glimpse at the theatrical trailer for this film that includes John, CLICK HERE. Not forgetting his classical training, he also gained favorable reviews for his performance in Shakespeare's "Henry VII" (1989) and "Twelfth Night" (1990). John seems at home on both the stage and in front of the television cameras, and easily switches from one medium to another in an effort to balance out his projects with a satisfying degree of variety. It is a talent few actors seem able to master. Though John enjoys the immediate response of performing in front of a live audience, "keeping you sharp at your craft" as he puts it, it is television which is his first love and where he is the most comfortable.
























An uneasy John is surprised, however, in 1981 with an unexpected episode of "This Is Your Life" featuring him at home. Always intensely private about his personal life, John warms up when, among the parade of friends and relatives that are brought out, his father and brother appear. This particular episode becomes the most popular of the show for that year. For an exclusive 2-part Thames Television clip of John being surprised on "This Is Your Life" CLICK HERE for Part 1 (3 minutes, 30 seconds) and CLICK HERE for Part 2 (1 minute, 45 seconds.) They are a wonderful look back at John Thaw just being himself, not in character as an actor. John next appears in "The Grass is Singing" (1981, also released as "Killing Heat") opposite Karen Black, a searing saga in which Black plays an unstable white South African woman who marries a well-meaning but failing farmer (Thaw) whose marriage and life disintegrates into poverty while losing her sanity in the process. For a rare look at the theatrical trailer to this film which includes scenes of John's part, CLICK HERE.


During this period of his life John also performed in what he later described as the "most gratifying role of his career," as a father trying to find out how his son has died in Northern Ireland in a remarkable one-man play by Douglas Livingstone, called "We'll Support You Evermore" (1985). According to Livingstone, "Though the quest for truth was the mainspring of the plot, it was never going to be settled; what mattered, in the end, was an uncomplicated man's grief and puzzlement, both conveyed so subtlty by the formidable Mr. Thaw." John also makes one of his rare overseas ventures in 1985, appearing in Toronto, Canada, in the Ray Cooney farce "Two Into One" with fellow actor Daniel Massey.







John also excelled on the small screen in such features as the comedy "Dinner At The Sporting Club" (1978), the historical miniseries "Drakes Venture" (1980) in which he played the famed English explorer Sir Francis Drake (thumbnail below, right), as a hard-drinking London newspaper reporter in "Mitch" (above, 1984 - To view a video clip with the opening credits and first scene of a Mitch episode, CLICK HERE.) To view a short television promotional commercial for Mitch, CLICK HERE. ), another historical miniseries "The Life And Death Of King John" (1984), and as Henry Willows (below and above) in a weekly sitcom "Home To Roost" (below, left & center, 1985-90) which lasted for 29 episodes and for which John won the Pye TV Award. (For the official Granada TV promotional material on "Home To Roost", CLICK HERE.) John also teamed up with his Sweeney co-star Denis Waterman for a 1976 appearance on the "Morcane & Wise Christmas Show," and guest-starred (1972) on a episode of the children's series "Black Beauty". John's favorite cause was the fight against child abuse; in 1981 he hosted a 10-part series on the problem of child abuse called "When The Bough Breaks", a subject which would crop up again in "Goodnight Mr. Tom" 16 years later. For a change of pace John appeared in Killer Waiting (1984), a suspenseful thriller right out of The Twilight Zone type of story in which John plays an ex-IRA assassin who himself is being hunted by an unknown killer. This TV-production, one of a trilogy of Killer films, ends in one of the most unusual plot twists of all time.

After "The Sweeney" ended its run, John began casting about for new projects to conquer. About this time an unknown first-time writer by the name of Colin Dexter was putting the finishing touches to his first novel about a grumpy, sometimes morose, but always brilliant detective that was to catch the public's imagination in a way no other mystery series has done since the days of Agatha Christie, making this literary character the most poular detective in British history, second only to Sherlock Holmes. In bringing this character to life, John Thaw would unknowingly take on the part he was born to play, one that would transform him from a popular British TV actor to an international star.